Last weekend, I ran away to the wild places and beloved people.
I first went, alone, to the coast of Maine, to the beach and
geography of some of my earliest memories. This particular beach was where I
learned what it is to fall in love with a place. In my experience, falling in
love with a place is not so very different from falling in love with another
person or finding a piece of your soul in words or art or music—it is as if
your bloody muscle of a heart melts away and a space of light appears in your
chest instead. The world comes in, the world goes out, alongside your breathing
and while all may not be right in the world, for these ragged moments, all is
right with you in the world. There is a tremendous sense of exhilarated
belonging, of security and wild possibility.
I do not know of anything more beautiful than this.
The world, including this beach, has changed since I was
first in love with it. Walking along the sands, I noted the absence of soft,
rolling dunes and the presence of sterner, sturdier rock walls. The summer
homes and cottages, the steep piney hills beyond, the continuance of all these
things depends on how much sand is or isn’t lost to the hungry tides.
The thought of losing this place, of the waters rising and
rising and erasing something so dear to me from the map used to keep me awake
at night. I don’t relish the thought now, either. And it is not that I have reconciled
myself to the loss, or the threat of loss. I am not, nor will I ever be, at stoic peace with the sea changes and erratic weather and melting glaciers and
roulette-wheeled seasons, and all the rest that climate change means. It is
not, though, the climate change itself that keeps me awake at night. It is our
responsibility for these horrors that keeps me hungry for people to band
together with and live out solutions, rather than dithering in fear and
mourning and denial.
But, never mind that. We all know what is at stake. We, each
of us, carry something known or unknown in our hearts that is the seed of all
fears and actions regarding how to save the world. I am constantly surprised
and buoyed by what is stronger than these fears. To wit, even as my sometimes
weary and mournful eyes looked at the changing coastline, the better parts of
me were hyperaware of being in the right place, of feeling as in love with this
little corner of the world as I have ever been.
The ocean was a dark dark blue, glinting with the red-gold
light of the setting sun. Where the waves crested and crashed, the water became
the misty bottled green of seaglass. Frumpy uncomfortable looking adolescent
seagulls swooped around. The beeches and maples on the otherwise evergreen
hills behind and the islands before me lit up like fires that will never be
extinguished. Looking far out of the islands, scrubby deep red
plants—blueberries and poison ivy and sedges and the same hardy plants I love
from mountain summits—clung to the edges of the sun-bleached rocks. The wind
was cold coming off the water, the sort of breeze that smells of frost, while
also carrying the scent of woodfires in the surrounding cabins and cottages. My
hands felt chapped in my mittens and my face was wind and sun and smile
strained by the time I got back to the car.
I lingered too long, perhaps, although it didn’t feel like
long enough. This is the thing about love, tearing yourself away feels
impossible, even if you are cold and hungry and needing to find a place to
camp. My plan had been to camp as close to the beach as possible, so I would
fall asleep to the sound of the waves and wake up to the sunrise.
Much as I might try, my life is not consistently as poetic
as I find sunlight on the water to be. I spent the night curled up in the back
of my car, with my sea-damp dog, in the relative safety of the L.L.Bean parking
lot in Freeport.
On the plus side, when I woke up at 3:45 with numb legs and
a kinked shoulder, there was no possible thing to do but get back to the beach
in time for sunrise.
I walked down to the mouth of the Kennebec in the pearly
darkness that comes just before sunrise and hunkered down on a log of
driftwood.
And slowly, there it came. The darkness faded like a healing
bruise, the star-like light of the lighthouses grew less bright as the sky
pinked and purpled and blued back to day. I could see dear tracks along the
sand, see the birds as they flew around cawing in the dawn chorus. A black
bird—a cormorant? a sparrow in silhouette?—flew up the river.
By the light of the rising sun and the riffles of the dawn
wind, the current of the river was visible, rushing to the open sea. The bird,
whatever it was, flew up the river. For a moment, I could see the opposite
forces together, like retrograde motion or an Escher drawing. The water goes
one way, the wings the other and it seems as if they cannot possibly exist
together.
Yet, they do.
Now is a time to be schooled in such beautiful, active
paradoxes. There is so much—too much—in the discussion and actions of climate
change that is focused on what is lost, what will be lost. There is fear and
mourning and grief and anger, and all of that is warranted. But, at the same
time, the world is not dead yet, and often our fear at what may be builds a
premature coffin around what is.
Along my most beloved shoreline, there are changes from what
I knew. What matters more, though, is what has not changed. The way the
sunlight hits the water at all hours, the eternal and always fresh crush and
crash of the water, and the feeling of being always in love with the intangible
here of this place.
We must immerse ourselves as often in the wildness and
variety and love and beauty of the world as we do in fear and facts and figures
of threats to and hard realities of this world. I believe, with the certainty
of tidal sunrise and the clarity of mountain frost, that doing so is vital to
the salvage and survival of all that really matters. Sure pure love drives purer and purer actions, stronger and wiser choices.
And, conveniently, such immersion is eternally, ecstatically
joyful. What is truly, cleanly, lovingly good for the soul is also for the
world.
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